Yorgos Lanthimos

Of his ten planets, five sit in air signs, two in fire, two in water and a single one in earth. Air works out how a thing is put together and what can be done with it; the element that would hold any of it to a plain shape is nearly absent. Lanthimos is a Greek director and the record names The Lobster and Poor Things.

The Sun sits thirteen minutes of arc into Libra, so Virgo cannot be ruled out without a birth hour, with Mercury, Uranus and Pluto further along the sign: four planets across twenty two degrees of the one that holds two positions at once. The Moon answers from Leo. For a director whose films put an absurd premise and a straight face in the same frame, four planets in the sign that will not choose is the plainest reading available.

Saturn sits square Pluto at eleven hundredths of a degree, about as close as two planets get, limit braced directly against concentrated force. The Moon sits in mild friction with both of them inside a third of a degree, so private feeling is rubbing against that whole arrangement. A yod holds Jupiter, Saturn and Neptune without resolving. Mars and Jupiter were the two planets facing the other way at his birth. In a director, limit braced against force with feeling rubbing on both is what decides how far a scene is taken.

Jupiter closed a full circuit on its Aquarius birth degree on 30 December 2020, at forty seven, in reverse as it was originally. Aquarius asks what was done at an angle to the ordinary way, and three laps precede it. For a record that names two films neither of which resembles anything else, at an angle is where all of it sits. A Sun thirteen minutes into Libra is the detail worth keeping, because the whole reading of the identity turns on an unrecorded hour. His Moon in Leo, rubbing against both Saturn and Pluto, is the placement carrying the pressure in this chart, and in a director it is the one that decides how far a scene is pushed.