Scott Baio

Four of his ten planets sit in earth signs, with two apiece in fire, air and water, so nothing in this chart is scarce. The record gives Baio Happy Days and Charles in Charge.

The Sun sits on the final degree of Virgo, about to leave the sign built on doing something properly and being useful. Venus sits at twenty nine degrees of Leo with Uranus half a degree behind it, and Mercury and Mars sit together in Libra. His Moon sits on the fourth degree of Pisces at noon and this chart cannot rule out Aquarius, so the private half could be either absorbing the mood of a room or stepping back from it. For an actor whose record is two series and nothing beside them, a Sun at the very end of its sign is the detail to start from.

Mars is pressed from two directions. It sits in mild friction with Pluto at under a quarter of a degree, force against force, and square Saturn at just under three fifths, drive meeting refusal, while Saturn itself sits in hard contact with that same Pluto at just over a third. Drive, limit and concentrated force locked into one arrangement, all inside three fifths of a degree, is a heavy thing for one chart to carry. Venus sits conjunct Uranus at just under three fifths, taste that is genuinely its own. Jupiter and Saturn were the two retrograde planets. In an actor the record fixes to two series, drive obstructed from two directions at once is the structure worth naming.

Jupiter came the whole way round to its Capricorn starting point on 6 December 2020, at fifty nine, eleven months after Saturn had closed its own second lap, and four circuits precede it. Capricorn asks what a thing cost to keep, which for a record of two series and nothing around them is the measure that reaches it. Drive knotted to both limit and force, in an actor the record fixes to two titles, is what this chart comes down to.