Sandra Oh

One of her ten planets, and only one, sits in an earth sign, against four in water and three in air. Earth is what consolidates a position, and with that little of it the chart runs on feeling and on description instead. Sandra Oh is on record for two television series, a hospital drama and a thriller, which between them cover most of what the medium asks of an actor: the long ensemble, where nobody is the whole story, and the two hander that has to carry itself.

The Sun, the Moon and Venus all sit in Cancer, spread across twenty one degrees, so identity, private feeling and taste occupy the sign that keeps what it has been given and does not hand it back. Two parts each held for years, rather than a run of single films, is the same instinct expressed as a career. Cancer also takes everything personally, which inside an ensemble is the member the others get measured against.

The Sun is the busiest point in the chart. It sits in easy contact with Pluto at under a fifth of a degree, the closest pair in the whole thing, with Jupiter at two thirds and with Uranus by quintile at three fifths, so identity is on comfortable terms with force, with scale and with the unexpected all at once. The friction is private: the Moon makes a hard angle with Mars at a quarter of a degree, and Mars was retrograde at her birth. For an actor who has carried two series rather than a filmography, support from the heavy planets with the friction kept private is the arrangement the work needed.

Jupiter arrived back at its starting degree in Scorpio on 23 October 2018, when she was forty seven. Scorpio will not do a thing partially, so the question it puts is how deep a commitment went rather than how many of them there were. An actor who has spent most of a working life inside two productions has a very low count on one axis and a very high figure on the other.