Robert Plant

Fire claims four of his ten planets, air three, water two and a single one earth, and nothing in this chart was retrograde at his birth. The element that would hold a thing in place is down to one planet, and the whole chart faces forward. The record calls Plant the singer of Led Zeppelin and a solo artist since, names an album of duets with Alison Krauss, and gives West Bromwich in Staffordshire as his birthplace.

Mercury sits in mild friction with Mars at an orb of zero, exact to the arcminute, and the Sun sits in that same friction with Venus at three hundredths of a degree. Two contacts that close in one chart is unusual, and both are the forty five degree angle rather than anything larger. The readings are thought and drive arguing, which is the tongue used as a weapon whether or not it was meant that way, and taste slightly out of step with self worth. For a singer whose record names one band and then everything after it, the first of those two is the one that carries.

The Sun sits at twenty seven degrees of Leo with Saturn at twenty six and Pluto at fifteen, three planets in the sign the Sun rules, where identity is solid and visible and the cost is a dependence on an audience. Saturn sits in mild friction with Neptune at under a fifth of a degree, which is form given to something imagined, or an illusion meeting the cost of keeping it up. His Moon sits on the fifth degree of Pisces at noon, with the sign before it still possible, Aquarius, so it is left out.

Jupiter came back to its Sagittarius birth degree on 7 October 2019, at seventy one, and five laps precede it. Sagittarius measures a thing by the distance it got from where it started, which for a record running from West Bromwich to an album of duets is an answerable question. Four of the six closest contacts here are the same minor hard angle, which gives this chart a particular texture: nothing in it collides outright, and nothing in it is quite comfortable either.