Painter
Richard Diebenkorn
The Ocean Park series, abstraction with California light in it.
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s, he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
- Born
- 1922-04-22, Portland, USAA Saturday
- Died
- 1993-03-30, Berkeley, USAA Tuesday, aged 70
- At birth
- Sun in Taurus, Moon in Pisces
- Nationality
- United States
- Birth-time source
- No birth time on record: Rodden X
Birth Chart
1922-04-22, Portland, USA · time unknown, noon chart
America/Los_Angelesthe zone used then
The chart
| Body | Sign | Degree | Motion |
|---|---|---|---|
| Sun | Taurus | 1°53′ | Direct |
| Moon | Pisces | 13°24′ | Direct |
| Mercury | Aries | 29°42′ | Direct |
| Venus | Taurus | 19°55′ | Direct |
| Mars | Sagittarius | 23°53′ | Direct |
| Jupiter | Libra | 11°44′ | Retrograde |
| Saturn | Libra | 2°12′ | Retrograde |
| Uranus | Pisces | 12°20′ | Direct |
| Neptune | Leo | 13°10′ | Retrograde |
| Pluto | Cancer | 8°07′ | Direct |
Death Chart
1993-03-30, Berkeley, USA · time unknown, noon chart
America/Los_Angelesthe zone used then
The chart
| Body | Sign | Degree | Motion |
|---|---|---|---|
| Sun | Aries | 10°07′ | Direct |
| Moon | Cancer | 5°55′ | Direct |
| Mercury | Pisces | 13°15′ | Direct |
| Venus | Aries | 12°54′ | Retrograde |
| Mars | Cancer | 17°57′ | Direct |
| Jupiter | Libra | 9°45′ | Retrograde |
| Saturn | Aquarius | 26°29′ | Direct |
| Uranus | Capricorn | 21°53′ | Direct |
| Neptune | Capricorn | 21°00′ | Direct |
| Pluto | Scorpio | 25°13′ | Retrograde |
Their Astrocartography
Where each planet sat on one of the four angles at the moment Richard Diebenkorn was born. Tap a line to read what the tradition associates with it.
Cast for noon, as the birth time is unknown, so the longitudes are approximate.
