Perrie Edwards

Fire gets a single one of her ten planets. The other nine divide evenly, three in earth, three in air and three in water, so the only thing scarce in this chart is the element that would charge at a thing. Edwards sings, and the record names Little Mix.

The Sun sits at eighteen degrees of Cancer with Mercury near the end of the same sign and retrograde, so identity and speech both sit in the sign that looks after whatever it belongs to, with the speech turned inward. Her Moon sits on the second degree of Aries at noon and may have been in Pisces, so the private half could be either reacting at full volume or absorbing whatever is in the room. Six of the ten planets sit in cardinal signs. For a singer whose record is a group and no work of her own, a Cancer Sun that defines itself by who it looks after is the placement to start from.

Venus sits in hard contact with Neptune one hundredth of a degree from exact, which is about as exact as a pair of planets gets, and the reading is love and illusion: disappointment built in from the start, and sacrifice mistaken for devotion. Venus sits in that same hard contact with Uranus at just under half a degree, and Uranus and Neptune are themselves conjunct at the same distance, so taste is pressed against a fused pair rather than against one planet. Five planets stood retrograde when she was born. In a singer, taste pressed that hard against the planet of illusion is the contact the record of a group rather than a career of her own sits on.

Saturn came back to its Aquarius birth degree on 4 March 2023, at twenty nine, a first return and the account coming due. Saturn sits on the final degree of Aquarius, so that return happened at the very end of the sign that stands outside the ordinary arrangement, which turns the question into which parts of the twenties were chosen rather than handed to her. Taste a hundredth of a degree from the planet of illusion, in a singer whose record is a group and nothing else, is the fact to keep from this chart.