Michael Flatley

Fire takes four of his ten planets, water three, air two and a single one earth, with four of the ten cardinal. The Sun sits at twenty four degrees of Cancer and the Moon at twenty three, conjunct at under a degree, so he was born within hours of a new moon and both signs are certain. The record calls Flatley an American Irish dancer and names Riverdance and Lord of the Dance.

Two lights that close together put identity and need in the same place: wholeness when it is working, and an inability to be objective about oneself when it is not. Both of them are then squared by Jupiter, the Moon at five hundredths of a degree and the Sun at three quarters, and two T-squares close on that Jupiter with Mars, one using each light. So a single planet of scale is pressing on the fused pair from outside, twice, with no outlet either time.

In a dancer whose record is two productions built around one performer, scale squared onto a fused Sun and Moon is about as plain as this project gets. Jupiter also sits a fifth of a turn from Uranus at six hundredths of a degree, fortunate change and being in the right place when something shifts, and in easy contact with Venus at half a degree. Venus is tied to both lights as well, in quiet contact with the Sun at a quarter of a degree and with the Moon at three fifths, so taste reaches the fused pair three separate ways. Mercury sits at nineteen degrees of Leo and Mars on the last three degrees of Aries. Saturn alone was retrograde.

Jupiter came back to its Libra birth degree on 5 September 2017, at fifty nine, and four laps precede it. Libra asks who else was in the room, which for a record naming two shows with a company in them and one name above the title is a pointed question. A new moon birth with both lights squared by the planet of scale is the fact to take from this chart.