Karan Johar

Earth, air and water take three planets each here and fire takes a single one. Fire is the element that starts a thing because it wants to, and there is almost none of it, while everything else divides evenly. Johar directs and produces Hindi films, and the record names Kabhi Khushi Kabhie Gham, a family melodrama of the kind that has to be assembled rather than struck off.

The Sun sits on the fourth degree of Gemini with Saturn further along the same sign, and Venus and Mars sit together in Cancer. Gemini holds two accounts of one event; Cancer keeps the whole family in the room and lets nobody leave it. A director whose subject is the large household and everybody's competing claim inside it has the talking sign running the identity and the protective one running taste and drive.

The Sun sits directly opposite Neptune at just over a quarter of a degree, identity against the planet that dissolves the edge of it, which in somebody who is both a maker of films and a public personality is the friction worth naming. Mercury stands at a strained angle to Jupiter at an eighth, the tightest contact here. Four of the ten planets were retrograde, all of them slow, and nothing in the chart forms a named pattern.

By 2 January 2020 Jupiter had returned to its Capricorn birth degree, at forty seven, in reverse as it was originally. Capricorn counts what a thing cost to keep, and three circuits precede it. The film the record names arrived inside the third, and a working life spent producing as well as directing is exactly the undertaking that measure was built to recognise. With a single planet in fire, none of it was ever going to be the work of a sudden start. His Moon sits on the second degree of Scorpio at noon and may have been in Libra, so the private half of the chart could be either keeping everything and keeping the peace, and the films use both.