Kader Khan

Of his ten planets, three sit in fire signs, three in water, and two apiece in earth and air. Nothing is scarce. Khan acted and wrote screenplays, and the record says he was a lecturer in civil engineering before either, which is three professions and the first of them nothing like the other two.

The Sun sits on the twenty ninth degree of Libra, nearly out of the sign, and the Moon sits on the fourth of Scorpio, so the two are close together across the boundary between them. Mercury sits further back in Libra. Libra weighs one position against another; Scorpio commits and says nothing. For a man who wrote the lines other actors spoke as well as speaking his own, identity at the very end of the weighing sign with private feeling just over into the withholding one is a fair account of both jobs.

Venus sits square Neptune six hundredths of a degree off exact, as near exact as this reading reports, taste braced directly against the planet of image. Jupiter sits in mild friction with that same Neptune at a ninth and conjunct Pluto at under nine tenths. Venus also stands at a strained angle to Jupiter at a sixth. Uranus alone was retrograde at his birth. In an actor who wrote the films he appeared in, taste held against the planet of image is the friction the dialogue gets written out of.

He died in Toronto on 31 December 2018, at eighty eight. Venus rules his Libra Sun, and that day Uranus stood directly opposite that Sun at two fifths of a degree while Pluto stood opposite its own birth position at under a third. Pluto also sat opposite his natal Jupiter at half. The Moon was at its last quarter and twenty six per cent lit. That is the phase that rethinks the whole premise rather than the details, and the Sun had reached Capricorn, earth, against his natal air. For a chart with taste locked against the planet of image at six hundredths of a degree, a working life that moved from a lecture room to a film set and then to a writing desk is a reasonable use of that aspect.