Justin Theroux

Four planets of the ten sit in fire signs, three in air, two in earth and a single one in water. Fire acts and air arranges; the element that would sit with how a thing felt before moving is nearly absent. Theroux acts and writes screenplays, and the record gives both trades without ranking them.

The Sun sits at seventeen degrees of Leo with Venus further back in the sign, and the Moon answers from Aries. Leo performs and Aries starts things and does not wait to see them through. Those two together describe somebody who would rather begin a thing than inherit it, which for a man who writes as well as acts is the structural account of why there are two trades on the record instead of one.

Six aspects in this chart sit inside six tenths of a degree, which is a tight birth. The Sun stands directly opposite Mars at under half, identity against its own drive, and the Moon stands directly opposite Uranus at just over half, private feeling against the planet that refuses the expected. The Sun also makes an easy skill of its contact with Saturn at a fifth. Mars and Neptune were the two retrograde planets, so the drive opposing his Sun is itself facing backwards. For somebody who both writes parts and plays them, two oppositions across the personal planets is the argument the two trades are conducted between.

Jupiter came the whole way round to its Scorpio starting point on 25 October 2018, at forty seven. Scorpio asks what a thing cost to make rather than how it was received, and three circuits precede it. For somebody who has written films as well as appeared in them, what it cost to make is the question only one of those two trades usually gets asked. Two oppositions on the personal planets, with nothing in the chart to resolve either, is the arrangement that keeps a performer from settling into one register.