Darren Aronofsky

Air claims four of his ten planets, fire three, water two and a single one earth, with four of the ten cardinal and four fixed. The element that would hold a thing in place is down to one planet. Aronofsky directs, and the record names Requiem for a Dream.

The Sun, Mars and Pluto make a three cornered knot that holds three of the five closest contacts here. The Sun sits square Mars at under a quarter of a degree, which is drive and identity arguing: somebody who either overreaches and burns out or holds back and resents it. Mars sits sixty degrees from Pluto at half a degree, concentrated force on easy terms with drive. And the Sun lies at an awkward angle to that same Pluto at three quarters. For a director the record fixes to a single title, a chart with identity, will and force all tied to each other is the structure to start from.

Venus sits in hard contact with that Mars at just over half a degree, attraction and drive disagreeing, and in mild friction with the Sun at four fifths. Mars is therefore in three contacts and the Sun in four, with Venus wired to both of them. This chart holds no closed figure of any kind. Jupiter, Uranus and Pluto were the three retrograde planets, and Mercury sits on the first degree of Aquarius. In a director the record fixes to a single film, a chart with no closed figures at all leaves that knot nowhere to resolve.

Jupiter came back to its Libra birth degree on 3 October 2016, at forty seven, and three laps precede it. Libra asks who else was in the room, which for a record naming one film and nobody in it is a question left open. One planet in earth, with the Sun in four contacts and three of them running to drive or force, is the fact to keep from this chart.