Dane DeHaan

Air takes four of his ten planets and water only one, with three in fire and two in earth. Air stands outside a situation and takes it apart; the element that would be swept up in it is nearly absent, which is worth noting in an actor who is repeatedly cast as somebody coming apart. DeHaan is on record for one film, a story about ordinary people handed power they cannot manage.

The Sun sits at eighteen degrees of Aquarius with Mercury, Venus and Jupiter in the sign as well, four planets inside nine degrees of it. Aquarius stands one deliberate step outside whatever it belongs to and is the least sentimental sign about its own position. Having identity, speech, taste and scale all packed into it describes somebody who can play alienation without needing to perform it, because the detachment is already the temperament. An actor cast repeatedly as somebody detaching from the people around him is working from temperament rather than technique.

Mercury sits conjunct Venus at an eighth of a degree, speech and taste occupying the same position, and both make easy contact with Uranus at half a degree and three fifths. A second trio of Mars, Saturn and Uranus sits in Sagittarius. Not one of the ten planets was retrograde at his birth, so nothing in this chart is quietly reconsidering anything. For a performer whose parts are usually quiet and slightly off, speech fused to taste and both wired to the unexpected is the useful equipment.

Jupiter completed its round in Aquarius on 9 December 2021, at thirty five. Aquarius scores a working life by how far it got from the obvious route rather than by progress along it, and three circuits precede it. For an actor who has taken strange parts rather than straightforward ones, that is the measure the career has effectively chosen. Four planets in one sign with nothing retrograde anywhere is an unusually undivided chart, and it suggests the strangeness of the choices was deliberate rather than the result of any internal argument.