Dan Stevens

Five of the ten planets sit in air signs and not one sits in earth. Air stands back and describes; earth is the element that consolidates a position and then stays in it. Stevens is on record for a part in a costume drama and then for a deliberately strange run of American work, which is a career with the consolidation left out on purpose. The ordinary move after a hit is to do the hit again in a different coat, and three planets in fire are the half of this chart that refuses to.

The Libra group is the largest thing here: the Sun, Mercury, Venus, Saturn and Pluto all in one sign, spread across twenty four degrees. Libra wants the other option to stay available, and half a chart in it describes somebody for whom closing a door is the uncomfortable act. An actor who left the part that had made him recognisable, and then took work with nothing in common with it or with itself, is that preference running a filmography.

Mercury makes a quintile to Mars nineteen hundredths of a degree off exact and easy contact with Uranus at a third of a degree, while the Sun sits awkwardly against the same Uranus at just over a third. Speech is on comfortable terms with the unexpected and identity is not, which suits somebody who can describe a strange choice more readily than he can be the man who made it. A second group, Mars with Uranus and Neptune, sits in Sagittarius, the sign that goes abroad. An English actor who went to work in American television and stayed strange inside it has that second group to thank for the first half of the sentence.

Jupiter closed a lap of his chart on 20 July 2018, at thirty five, back on the degree of Scorpio it held at his birth. Scorpio is not a sign that lets the planet of reach expand without charging for it. By then the costume drama was long behind him and the stranger work was underway, which answers the question a Jupiter return actually puts: not how far did this go, but how far from where it started.