Clea DuVall

Her chart puts four planets in water signs, with two apiece in fire, earth and air. Water registers a thing before deciding anything about it, and nothing else here is scarce. DuVall acts and directs, and the record names But I'm a Cheerleader and Argo alongside the films she has directed herself.

The Sun sits on the third degree of Libra with Venus just behind it in Virgo, and the Moon answers from Pisces. Libra attends to the other person in the scene; Pisces takes on whatever is in the room without keeping an edge of its own. For somebody who directs as well as acts, the Libra Sun is the half that reads what everybody else is doing and the Pisces Moon is the half that absorbs it.

A T-square holds the Moon, Mercury and Neptune with no outlet, and a grand trine holds the Moon, Mars and Uranus in easy agreement, so private feeling sits at the centre of both the braced figure and the self sufficient one. The Moon sits square Neptune at nine hundredths of a degree, as tight as the arithmetic puts a pair. Nothing in her chart was facing backwards on the day she was born. For a director, feeling caught in both figures at once is the equipment and the cost of it.

Jupiter closed a full circuit on its Cancer birth degree on 1 July 2025, at forty seven. Cancer asks who was looked after, and three circuits come before it. For somebody who moved from being cast in other people's films to making her own, that question is about the second trade rather than the first. A chart with no retrogrades and a Moon in two named figures is organised entirely around what she notices. Nothing in it was reconsidering anything on the day she was born, which in somebody who took up a second trade later is worth noting: the revising came from the career rather than from the chart. Her Sun on the third degree of Libra, with Venus just behind it in Virgo, puts the identity at the start of the sign that cooperates and taste in the one that corrects, which is a workable pair for a director.