Anita Mui

Earth, air and water take three of her ten planets each, which leaves a single one in fire, and four of the ten are cardinal. Mercury, Uranus and Pluto spread across twenty one degrees of Virgo. The record calls Mui a Hong Kong singer and actress called the daughter of Hong Kong.

The Sun sits in easy contact with Saturn at just under half a degree, which is structure supporting the self: steady competence, being handed responsibility early, and ambition that does not need announcing. In a performer the record describes with a city's name rather than with a list of work, responsibility handed over early is the reading with the most in it, and the record supplies the standing without supplying the dates.

A yod closes on Jupiter, Neptune and Pluto without resolving, and Jupiter lies at an awkward angle to that Neptune at just over a tenth of a degree, which is the closest contact in the chart: faith without evidence, wishful thinking, and promises that felt entirely real when they were made. Mercury sits in mild friction with the same Neptune at fourteen hundredths. Two contacts to the planet of image inside fifteen hundredths of a degree, in a singer and actress, is the pairing to take from this chart. Jupiter and Saturn were the two retrograde planets.

The Moon sits in easy contact with Mars at just over a degree, feelings that translate into action cleanly, and its sign is certain. The Sun sits at sixteen degrees of Libra with Venus at twenty seven, the sign worked out in relation to other people, and Mercury sits on the last degree of Virgo. Venus sits in mild friction with Pluto at just over a degree. A singer and actress the record names with a city rather than a credit list has her two lights certain, which is more than most entries in this set can say.

She died in Hong Kong on 30 December 2003, at forty. Jupiter stood sixty degrees from her natal Mars at eight hundredths of a degree that day and the transiting Sun in easy contact with her natal Uranus at a tenth. The Moon was a crescent at forty seven per cent, the phase that pushes against the weight of how things have always been done.