Angela Kinsey

Four of her planets sit in air signs and only one in earth, leaving three in water and two in fire. Air reads a room and works out what is happening in it; the element that would plant itself and refuse to move is nearly absent. Kinsey is on record for one long running comedy series, an ensemble format where nobody is the whole story and the work is almost entirely reaction.

The Sun sits on the fourth degree of Cancer with Mercury further along the same sign, and the Moon answers from Leo. Cancer keeps everything it is handed and takes all of it personally; Leo wants the room. That pairing is the comic engine of somebody who plays a character whose feelings are too large for the office she is in, which is an ensemble part rather than a leading one and needs both signs.

Saturn sits directly opposite Neptune three hundredths of a degree off exact, which leaves effectively nothing between them: the planet of what can be built facing the planet of what is imagined, with nothing between them. Mercury sits square Uranus at under three quarters of a degree, speech against the planet that breaks the expected. Jupiter and Neptune were the two retrograde planets. In an ensemble comedy, the gap between what can be built and what is imagined is where every joke about an office actually lives.

Jupiter shut its lap in Scorpio on 29 October 2018, at forty seven, in reverse as it was originally. Scorpio lets the planet of expansion have nothing on credit, and what it keeps is depth rather than count. Four laps precede it, and nine years inside one ensemble is precisely the sort of commitment that measure rewards. With only one planet in earth, that staying power did not come from stubbornness; it came from the Cancer Sun refusing to let go of something it had been given.